ME

ME
Sweat Lodge, Accokeek MD

Thursday, November 11, 2010

Gardeners Who Don't Compost Are Punks


Anyone who knows me will tell you that I  would compost my grandmother.  

Some use cast-off garbage cans; mine come from Arlington County’s composting program ($10 apiece), which recycles old wheeled trash bins that way.

Ann, my partner in life, are the alleyway scrounges of the neighborhood.  Dusk and dawn, we can be seen examining cast-off stuff.  It falls into four categories: 
  • Living Plants (bulbs and even shrubs)
  • Dead plants (Compost
  • Furniture (This wealthy neighborhood provides a constant supply of old pieces, simply cast aside by elderly retirees who are downsizing).
  • Firewood.

I grew up in large families (the eldest of seven). She logged years as a graduate student.  We both have that sense of limited resources grown in our bones.
 
Anyone who purports to garden and doesn’t compost is a punk.  But in city gardens and suburban must keep rats in mind. My neighbor’s English ivy until recently harbored a family of Norway rats, who used our composter as a shelter from the cold.

And it helps in managing nitrate runoff .

DC’s Department pf Parks and Recreation holds composting workshops in spring and summer to teach residents  how to start composting.

Fee: $5.00 per person - includes class materials and instruction

Arlington (where I live) says just don’t put animal products (you know, bones and crab shells and eggshells) in there

The last remaining nagging non-compostable thing for my neighbor Ira is the pesky wine cork.  (He doesn’t drink that much, but some of his friends do—and every one of them drops things off for his .)  They are too tough.  Ira has found that, you can use them as orchid medium, if you chop them into pieces.

I myself made the breakthrough of dropping one into the blender, then hitting “pulse/grate.  It took a while,  he said.


The Redneck Jazzman and His Formidable Women



“My dad would be appalled to see me in the music business,” says Holly Gatton. “He spent a lot of time to keep me away from popular music. No lessons. No playing in bands. And I could listen only to music he considered good! All the stuff I loved at 12 and 13—Michael Jackson and Madonna—were really lewd, he thought. A friend gave me a tape of the Red Hot Chili Peppers—which is kind of explicit, now that I think of it—and Dad recorded over it with Fats Domino!”
Gatton, a 24-year-old Virginia Tech grad student (hemlock beetles), has joined her mother Jan to launch a new family record company. Flying Deuces Records will handle the musical legacy of her father (and Jan’s husband) Danny, the DC-area guitar wizard who died in 1994. It will offer old Gatton recordings and issue new ones, on the Big Mo label.
The two formidable women did not fall into the record business by accident. They brought suit in 2000 against  the family label, NRG (run by Danny’s mother Norma) in 2000 to take control of the Gatton recordings. They claimed that Danny had routinely shared with Holly his musical ideas (making her his true musical heir), and that Norma Gatton (who was aging) was putting out low-quality products, with amateurish mixes. The posthumous 1998 CD Untouchable could  be offered in evidence of the second claim.
The suit was settled on April 2001. No one is going to get rich on the narrow taste for Gatton’s music. But they hope to keep his name alive among critics and record-buyers. So far, so good: 
·        They just released Funhouse, a live CD documenting a 1988 performance by Gatton’s big band of the time, plus famous pedal steel guitarist Buddy Emmons. 
·        Rhino issued a nice 4-CD compilation, Hot Rod Guitar: The Anthology, in 1999.
·        A 2003 biography documents every turn in his music and life (including his 1994 suicide).[1]
·        Sixteen formal recordings under the Gatton name are available and in print on various labels, and dozens of bootleg CDs and videos (including Gatton’s instructional videos) are hot sellers on Ebay. 
·        The Definitive Danny Gatton Web site (http://www.dannygatton.com/), a volunteer effort by family friend Steve Gorospe, provides astonishingly rich tapestry of Gattoniana for old fans and surprising numbers of new ones.
Gatton’s legendary basement tapes and his studio recordings “will give us a lot of hot stuff,” says Ed Eastridge of Big Mo. The Gatton estate included many cassettes of scorching live performances, as well as professional 24 track tapes. Outtakes from the Blue Note New York Stories sessions are other likely sources.
The affair has split the Gatton family, with Norma and Danny’s younger brother ( and occasional road manager) Brent, and his older sister Donna on the other side from Jan and Holly. Brent feels betrayed. “Jan and Holly weren’t involved in Danny’s music when he was alive, but they want to cash in now.” 

A Fabulously Volatile Career

Danny Gatton flirted with fame several times. He went from being the critics’ Next Big Thing in the 1970s, through decades in local honky-tonks and work as a sideman for country and rock stars, to “forgetting to call back’ John Fogerty of Credence Clearwater Revival, and signing a major label deal—finally!—in 1990 at age 45. While operating beneath the notice of the mass market, he made serious contributions to the art of the guitar. Then he died of a self-inflicted gunshot to the head, Oct. 4, 1994.
Gatton developed a unique jazz-country-rockabilly fusion by going strictly his own way. From the age of 10 he focused on music above all, sucking in new sounds and guitar licks from Roy Clark, Link Wray, and Charlie Byrd locally; jazz players like Charlie Christian; rock and rollers Buddy Holley, James Burton, and Scotty Moore; and country artists Merle Travis, Chet Atkins, Earl Scruggs; going to college in Les Paul’s guitar and recording experiments; and graduate studies in Bill Evans, Miles Davis, and Monk. He must have noticed Jimi Hendrix, but his playing showed no sign of it.
He issued a record every decade or so, and toured as a sideman when the money was right (with Roger “King of the Road” Miller, rockabilly revivalist Robert Gordon, and others). Otherwise he hung out in his garage with a couple dozen old friends, drinking beer and working on guitars and hotrods and occasionally getting some music done. Every time he closed in on show business success, he made a sharp U-turn, back home to the garage.
His first rush of intense critical praise (in the late 70s) included a West Coast road trip in late 1979, to record there, including with Al McKay of the R&B supergroup Earth Wind and Fire. He quickly hotfooted it back—after only a couple of months—when he discovered how much he hated being away from his young wife Jan and family and friends.
So he couldn’t really tour. And he got bored playing the same songs in the same order night after night. In addition, he hated and feared the record industry’s functionaries (and suspicious of strangers generally). To top it off, he was self-conscious about his appearance--kind of short and tending toward chunky. 
If you wanted to hear him you had to go find him, in one of those unlamented spots with Confederate flag decals on half the pickups. He’d be playing a Horace Silver number for a dance floor full of drunk segregationists, mixing licks from a Ricky Nelson record with soulful Wes Montgomery walking octaves. Guitarists from around the world made him a DC tourist stop. 
But in the end he couldn’t resist the call of fame and money, because it offered a way to pay his debts to family and friends:
·        Jan paid the family bills for 27 years, with a wicked commute from Southern Maryland to her federal job in DC. This financial dependence rankled Danny, some say.
·        Norma invested tens of thousands of dollars and thousands of hours to his career, and was eager for him to succeed.
·        His daughter Holly, academically gifted, deserved the educational advantages that a more stable income could provide.
·        Musicians and technicians all welcomed the chance of a ride to fame and glory with Gatton.
In the late 80s he put out the word that he was open to a record contract. In 1990 he signed a seven-record deal with Elektra. 88 Elmira Street (in 1991) was a promising start, with some solid rockabilly tunes, a haunting version of the Beach Boys’ “In My Room,” and a futuristic lounge take on Martin Denny’s “Quiet Village.” It was nominated for a Grammy. Cruising Deuces, in 1993, the second Elektra CD, was nowhere near as fresh-sounding. In between was New York Stories, Vol. 1, an old-fashioned jam session on Blue Note Records, which  suggests what he could have done if he had challenged himself musically.
A record contract is indentured servitude: working off the cost of recording and boosting sales by touring and touring and touring. Many musicians are comfortable touring year around, but Danny wasn’t. He grew more depressed the further away he got from home, and he started making excuses and then just stopped.
Elektra dropped him, of course. The local label Big Mo (run by old friends Ed and Dixie Eastridge) picked him up and recorded a couple of fine records that won’t appeal to the mass market, but show Gatton at his best: improvising his ass off. Danny was working more cheerfully and productively than ever, friends and colleagues thought. He was probably making more money than ever (from national TV commercials for Levi jeans and so on).
And then one damp October night, Holly phoned 9-1-1, because her mother had turned into a quivering jellyfish on the floor after finding Danny’s body in the garage, and was unable to call for help herself. 

The Gatton Legacy

Jan and Holly plan to release a one or two new CDs every year, through Big Mo. They are by no means hungry, thanks to Jan’s government retirement and Holly’s education fund, built on donations from fans around the country. 
The Gattons take pride in their rural traditions, in which obligations extend from generation to generation. Holly, Jan, and the Eastridges are working to pay those debts, just as Danny did. But they may have more realistic ideas about what success involves.
Jan and Holly see the Flying Deuces venture as a way to vindicate Danny’s reputation.  They are willing to be “demonized” by some family and friends, Jan says, if it will serve that purpose.
“I love the music business,” Holly Gatton  says. “Beyond my Dad’s recordings, I’m hoping to find young musical acts to manage and maybe record.” (That’s another thing her father would never have understood.)
Jan is satisfied that she did the right thing.  “I was so grief stricken when Dan died,” she says, “that I just collapsed. He left me with all of those responsibilities, like finishing the house. That’s a job we used to share).”
Ed Eastridge, an old friend and fellow guitarist, says “Danny is one of the greats,” he says. “I’m sure he’ll be more and more widely recognized as time goes on.” He—like everyone in this story—is trying to repay the debt he feels to his old friend’s memory.


[1] Ralph Heibutzki, 2003. Unfinished Business: The Life And Times of Danny Gatton (Backbeat Books). Available at www.chairmanralph.com

NOMADS: BY BUS INTO ANATOLIA



                 Turks are a cosmopolitan people. Nomads from the Russian and Mongolian steppes, their earliest known ancestors, began trickling into Anatolia tens of thousands of years ago. The merchant galleys of their Ionian Greek forebearers spanned the Mediterranean world 2,000 years ago from bases in Miletus, Ephesos, Samos, Chios, and Smyrna. The medieval Selçuk Turks (cousins of the Huns) built and patrolled the empire-spanning Silk Road, a fabled chain of caravanserais linking the Mediterranean world with the rich markets of the Caucusus, Central Asia, and beyond. Ottoman Turkey ruled most of the Islamic world for hundreds of years after that, and under Sultan Suleiman the Magnificent occupied Hungary, the Ukraine, and the Caucasus and knocked on the gates of Vienna. The paths of travelers, traders, and invaders from every nation and every century criss-cross in Turkey more densely than in any other place on Earth.
                For such a people, mere transportation is not going to be a problem. Nowhere is it so easy or pleasant for a tourist to travel by humble public conveyance. Every town of any size has a bus station (otogar), usually near the market square. There the traveler finds several competing bus companies, with agents stalking the lot to steer passengers to their companies' counters. While fares are always posted, a good deal of friendly negotiation is possible over prices and routes, even without a word of Turkish. Turks are traders from the cradle.
                Scheduled buses leave promptly at hourly or half-hourly intervals from dawn until late at night (for about a cent and a half per kilometer, or two cents a mile). Night buses make the longer runs‑-8 to 12 hours--across the California-sized nation. Wherever passenger traffic is too thin to support the buses, the faithful dolmu_ (a van or occasionally an antique American car) takes over, cruising regular routes, picking up and discharging passengers. The name means "stuffed" (a stuffed pepper is a dolma), and that's what they are: crowded, friendly, and convivial. If you can't find a dolmu_, stand around for 10 minutes or so looking lost, and a yellow taxi or private car will pull up, offering you transport for fuel money and conversation. (Are you married? How many children? What do you do for a living? How much do you make? How much does a car cost in America? Do you like Britney Spears of ZZ Top?)
                The buses are clean, air-conditioned, and well-kept, with white-doilied headrests. On longer runs they carry conductors, who seat passengers, help with luggage, and stroll the aisle offering bottled water and the ubiquitous weak Turkish tea (çay), in tiny tulip-shaped glasses. The conductor marks the beginnings of long trips with the graceful custom of splashing lemon-perfumed water on passenger's hands.
                Last spring in the small Mediterranean resort town of Ka_, Ann and I booked tickets for the 800-mile overnight journey to Ürgüp, a small town in the Cappadocian interior, by way of Antalya, a sizable port and factory town about 150 miles eastward along the Mediterranean coast, and Kayseri, the main city of Cappadocia. (The Turkish national airline flies the Antalya-to-Kayseri route, and amazingly cheaply, but the off-season schedule did not meet our needs, so the night bus it was.)
                We began our trip with good Turkish beer on the otogar terrace, overlooking the sun-spangled sea, with Ka_'s famous barber, whose shaves and massages are touted by the guidebooks. A burly man with broad, shiny red jowls that advertised his trade, he was unusually outgoing even for a Turk. He laughed and joked and breathed beery blessings on our journey, hugging me and wishing us many children.
                At 4:30 pm sharp we boarded a shiny Mercedes bus for the leg eastward along the coast to Antalya. The driver offered us the right-hand front seat, for the best view. Such generosity is a matter of course in Turkey, even in the big cities. Turks are gracious to strangers, with a courtesy that bespeaks their thousand of years of culture. They pride themselves on "Turkish hospitality," which they count among the gifts of their nomadic past.
                The road climbed straight up out of the seaside town, over a range of rugged hills, then met the coast, where it turned into a replica of California's Big Sur, but with even grander scenery and a narrower, more twisting roadway. (Ann and I‑-who, it happened, had driven Highway 101 in California a month before‑-called the Antalya coast "Bigger Sur.") Narrow palm-fringed valleys, with well-fed dairy cows and tomato hothouses, alternated with harsh brown promontories of cleaved rock that angled up toward the sky. Tourquoise coves held tiny fishing villages with miniature cobbled beaches. The blazing sun, low at our backs, splattered light across rock faces and seaside palms, leaving the valleys in purple shade.
                We soon began to regret our front-seat view. The road was deeply scalloped in places, where the underlying rock on the sea side had crumbled away and the road narrowed suddenly‑-right beneath our feet, just beyond the floor-to-ceiling windshield! Back home, such damage would be grounds for closing the highway, but in Mediterranean Turkey the authorities simply place orange traffic cones to alert motorists of the worst cave-ins. The driver, smoking calmly and driving fast, swerved neatly to avoid each one, while we flinched and yelped.
                The sunlight and scenery worked their soothing ways, though, along with the multicolored laminated plastic besmele on the dashboard. It invoked God's blessing with the opening phrase of the Koran, in Arabic, but written in Turkish letters ("BISMILLAHIRRAHMANIRRAHIM"‑-"In the name of God, the Merciful, the Compassionate, ...") The besmele is nearly everywhere in Turkey. In homes and shops it hangs framed on walls in the gorgeous calligraphic Arabic known as Kufic script; in motor vehicles it tends to assume this more utilitarian form. It is a blessing invoked at beginnings, and unfailingly at the outset of each journey.
                For good measure, a glass boncuk (a blue eye the size of a duck egg) dangled from the rear bumper, turning away envy and the evil eye. No Turkish motorist goes anywhere without its protection. I certainly would not drive that road without it!
                Arriving in Antalya at dusk, we ate a hurried but delicious meal of döner kebap (the Turkish national fast food, long slices of spiced lamb cooked on a vertical grill, something like Greek gyros, in a loaf of crusty bread) from a wood-fired stand behind the station. (I asked for beer, but the bearded, skull-capped proprietor frowned and offered Coca Cola instead.) Stowing our bags in the bus's belly holds, we boarded the night bus to Kayseri (the Roman provincial capital of Caesarea, today the main city of the Cappadocia region, population 400,000 or so), about 600 miles away, dead center of the Anatolian plain.
                We took our seats at the rear, the only non-Turks aboard. A short, middle-aged man in a grey suit left his seat about halfway up the aisle and trotted down the aisle toward us. "Oh oh! What's going on here?" I asked, sotto voce. For a second I feared some kind of anti-Western backlash from the recent elections (which had gone soundly to the Islamic party) or a Kurdish protest of American military aid to Turkey (a PKK bomb had killed a tourist in Istanbul a day or two earlier).
                As he approached he smiled, bowed slightly, and spoke words of welcome (which our phrase-book Turkish was too weak to catch), then squirted each of us gently with a pocket-size flask of cologne—me first, then Ann. "Te_ekkur ederim," we responded. (Thank you very much.) Some of the other passengers‑-women in headscarves, men in pin-striped suits‑-turned and smiled in greeting as he strode back up the aisle. Scents and perfumes are an ancient tradition in Turkey; a man strolling down the street or talking in a tea house with a friend may offer a drop of cologne or rose water. It's a characteristic display of Turkish warmth and intimacy. It also helps cut the aroma of Turkish cigarets. Don't go to Turkey if you're trying to quit smoking. Every man smokes, it seems, and the offering around of cigarets is a standard social gesture. Turkish cigarets are made of good tobacco and are strong and highly addictive.
                The bus pulled out at 8:00, precisely on time. As it climbed the steep valley in long switchbacks, we watched the moon rise over the sea below. Soon we were speeding northward through the dark across the huge Anatolian plateau, as black and as flat as the bottom of a cast-iron skillet.
                The young conductor, innocent of English or German but eager to converse (especially with blonde Ann, it must be admitted), occupied the wide back seat, and seated us just in front of him. He offered coffee, cigarets, and bottled water. We shared our dried fruit and walnuts. A relief driver slept in a rear bunk behind a curtain.
                I woke at about 3:00. A two-story brick station and restaurant, stood, seemingly alone, at an intersection of two roads on the vast and chilly black plain, silvered with bright moonlight. In the far distance I could see a big volcanic cone topped with snow: Mt. Ala, the young conductor said.
                Cappadocia is a tremendous expanse of volcanic ash, riven by streams that have bitten through the soft rock to form canyons. Semi-arid but fertile and well watered, it is famous for almonds, apricots, grapes, and wheat. (In this country, one might compare its terrain and geology with the orchard and vineyard country of eastern Washington State.) Snow-topped volcanic peaks‑-the builders of this stark landscape‑-stand in a mighty rank to the east, leading upward toward the Caucusus.
                Foreigners know Cappadocia best for the bizarre terrain of conical stone towers, shaped by erosion in the soft volcanic tufa. These "fairy towers" and the antique cave dwellings they house are the subjects of nearly every Turkish travel poster, and of coarse jokes by tourists and Turks alike.
                Cappadocia‑-the name reportedly means "place of the beautiful horses" in Persian‑-was an early refuge of Christian faith, at least as early as the third century. Christian monks burrowed like prairie dogs into the floors and walls of remote canyons. Some of their communities hid, behind a single small entrance, five or six stories of granaries, wineries, and living quarters, and brilliantly painted churches, and hundreds or thousands of people. These snug troglodytes lay protected not only from the occasional Persian raiders but from the authority of the failing Roman empire and—later—the decadent temptations of Byzantine culture. Even the smoke from cooking was concealed, led upward into intricate labyrinthine chimneys, to dissipate in the rock itself.
                At daybreak we entered Kayseri, a dusty, sprawling industrial town, and disembarked at the station, a big barn full of ticket booths, food stalls, and tea shops in the city center. We breakfasted on grilled cheese sandwiches and instant coffee, surrounded by our small pile of luggage, watching Kayseri's commuters pour into the station.
                In the adjoining outdoor market area, the glancing morning light brought the medieval Silk Road alive again. Men in black skullcaps rested on the ground, leaning on their handwoven kilim backpacks. Head-scarved women in long colorful skirts and hand-knit sweaters sat on homemade rugs, drinking in the sun and sorting their produce for sale. Just here, perhaps, the market has assembled for two thousand years.
                A cabbie approached. In English, he asked our nationality, and our destination. We agree on a price for the trip across town to the Turkish national airline office‑-80,000 lira, a little more than $2. The driver popped a tape into the dash, and the chilling voice of the American blues artist John Lee Hooker filled the cab. The driver asked if we approved. Yes, we agreed, "Mr. Hooker's is çok güzel" (very cool). "ZZ Top is very good also!" he declared. Yes, we averred. Boogie, children!
                Then on to Ürgüp, a small town in the Cappadocian heartland, full of rock-cut dwellings and tourist paraphernalia. On the town square we found the government tourist office (most towns with any hope of tourists have one), which displayed a list of hotels of various prices. We chose the Elwan, an ancient stone building a few hundred yards up a cobbled hill, in the old town. We took a beautiful and quiet room with a shower and a balcony overlooking the old mosque and the town below. We splurged at 55,000 lira, or about $14, with shower and breakfast for two (the universal and delicious Turkish hotel breakfast of bread, cheese, olives, hard-boiled eggs, and fruit, with—of course—weak tea). Bus-lagged, we ate an early dinner and walked around the little cobbled town for a bit, aware that every eye was on us—the first tourists of the season, in a poor part of a poor country. The rug and trinket dealers were a little too insistent—Turks are enterprising, as well as gracious—but we'd learned to say "hay_r" (no) by now, and we enjoyed our stroll in the warm afternoon sun.
                At sundown, we lounged on our balcony, comfortably drained of energy, and looked out over the town through a thin silver veil of suppertime smoke. I sipped Turkish vodka (Duke Ellington's favorite drink, and justly so). We admired the dome of the old mosque just down the cobbled slope, and the crumbling cave dwellings across the road, and reviewed the trip. It had been much more fun, we agreed, than the air trip could have been.
                The town's muezzin stepped onto the balcony of his minaret and uttered the haunting call to prayer. ("Haunting" may be a cliche, but haunting it remains.) Unamplified (a rarity), it floated across the rooftops like a bird of peace. With that reassuring sound, night drew a curtain of comfortable oblivion.

Once Again, the Housing Market Fails to Hit Bottom

NPR News reports that the foreclosure system is still clogged with unforeclosed houses:  Repossessions of homes by lenders from September to October  fell by the sharpest margin this year, as several major lenders temporarily halted most or all of their foreclosures amid allegations thousands of foreclosures were handled improperly.
The data is from the foreclosure listing firm RealtyTrac, Inc.

See the whole thing at:
http://www.npr.org/templates/story/story.php?storyId=131240587

Tuesday, November 9, 2010

Nuts and Bolts of Verifying GHG Emissions if It All Goes Wrong at the UN

The National Research Council issued an exhaustive report on the technologies and other means of verifying GHG emissions [carbon dioxide (CO2), chlorofluorocarbons (CFCs), hydrofluorocarbons (HFCs), nitrous oxide (N2O), methane (CH4), and perfluorinated hydrocarbons (PFCs), plus emissions soot and sulfur compounds along with precursors of tropospheric ozone] remotely, on the realistic assumption that no workable deal is reached by UN.  It was done by a committee of earth and life scientists. 

The study reviewed current methods and proposed improved methods for estimating and verifying greenhouse gas emissions at different spatial (e.g., national, regional, global) and temporal (e.g., annual, decadal) scales. The results it says would be useful for a variety of applications, including carbon trading, setting emissions reduction targets, and monitoring and verifying international treaties on climate change.It has details on current sources and ways to estimate them.   It recommends that the UN give greater attention to both.

The committee’s recommendations fall into three
broad categories: (1) strengthening national greenhouse
gas inventories, which will likely remain the
core of a global monitoring and verification system; (2)
improving the ability to independently and remotely
estimate national, annual fossil-fuel CO2 emissions
and to monitor emission trends; and (3) developing the
capability to make accurate estimates of national CO2,
N2O, and CH4 emissions and CO2 removals from sinks

If that's your cup of tea you can download it for free at  this address:
http://www.nap.edu/catalog.php?record_id=12883

Wednesday, November 3, 2010

Obama drops cap and trade for climate change!

 Is nothing sacred?  In a White House press conference according to the Associated Press,

"A chastened President Barack Obama signaled a willingness to compromise with Republicans on tax cuts and energy policy Wednesday, one day after his party lost control of the House and suffered deep Senate losses in midterm elections."

President Obama said he will compromise on a number of issues, including taxes and the climate change.  Read the whole thing at:
http://news.yahoo.com/s/ap/20101103/ap_on_go_pr_wh/us_obama